What is your review about the Solo: A Star Wars Story?

To be true, it is not very good. Beyond of my imagination.
Solo: A Star Wars Story is a light pleasing dip into the Star Wars universe. But it lacks the stakes of its predecessors, and the analytical approach to storytelling will leave many disappointed. And I love the custom made cosplay costumes very very much.

Solo is certainly not a terrible film. There’s competent writing, the actors are good, it’s directed by Oscar-winning director Ron Howard, and the special effects and music are great.
Where Solo suffers the most is in institutional mediocrity. There’s nothing in this film that feels fresh, exciting, or compelling. Solo is a big budget film, made by highly-competent artists, who are doing everything they can to not take any risks at all.
In A Galaxy…

Solo: A Star Wars Story tells us about how Han Solo got his name, how he met Chewbacca, and Lando Calrissian, and how he first got to sit in the pilot’s seat of the Millenium Falcon.
If you’re a Star Wars fan you’re likely to get a kick out of seeing the backstory on some casual dialogue from the original trilogy. If you’re not a rabid fan of Star Wars, I’m not sure there’s much for you here.
The Filmmakers
Ron Howard took over as director for this project from Phil Lord & Christopher Miller who still get an executive producer credit. Howard’s a good actor director, he’s solid with action scenes, and all of that is evident here. I’m surprised that emotional scenes didn’t hit harder though, that’s something that Howard is particularly good at.

There is a lovingly-created amount of detail including the brutalist architecture and ships, the costumes, droids and sets. Everything just feels right here, and I’m going to say that this film captures that the best since the original 1977 film. I shopped for the Art of Solo: A Star Wars Story last night and I’m looking forward to reading it.
The script by Star Wars alum Lawrence Kasdan and his son Jonathan was a smaller and tighter effort, which I appreciate, and feel like is closer to the path these standalone Star Wars films should take. This is a standard Hollywood-style script that you can set your watch by. It’s not bad writing, but it is incredibly safe.
The Actors
After all the pre-release hand-wringing over lead Alden Ehrenreich and his ability to bring a young Han Solo to the screen, you know what?… he’s pretty damn good in the role. He’s got the mannerisms down. His charisma is off-the-charts. He’s incredibly likable. He probably won’t get the credit he deserves anywhere else, but I’ll certainly give him kudos for nailing a tough role.

I got to see more Chewie this time out, which is something I always complain about. And, as always, Chewbacca (Joonas Suotamo) is awesome.
Donald Glover was equally charming in his take on Lando Calrissian. I’d gladly pay to see a movie that focused on him and some of his adventures.
Many of the actors turned in unremarkable performances. They were competent, but average.
Rio Durant, a monkey-like creature with four arms, voiced by Jon Favreau, was fun and a standout to me. I also really liked the badass maurader Enfys Nest played by Erin Kellyman.
There’s one brief appearance by a classic Star Wars character near the very end of the movie that was a thrill. This was one of the few genuine surprises in the film and left me wishing they had invested much more in this character throughout.

A New Hope for Lucasfilm
I can’t help but think how much some more comedy would have helped this movie. Since we know that Lord and Miller bring the laughs, it might have been a serious misstep to not let them finish the film they started. I also realize that Ron Howard was brought in to reign in the chaos, but in this case, some chaos would have improved the film overall. You could also buy the gamora guardians of the galaxy cosplay in highest price.
They don’t make Star Wars fans any bigger than me, and I enjoyed this film. It has good action, and it’s well-constructed, but it’s middle-of-the-pack when it comes to the sort of thrills than modern audiences expect.
If this film had been released 20 years ago it probably would have been universally-lauded. For some people, it might be one of their favorite Star Wars films. Solo is much lighter in tone than what we’ve seen lately and it’s smaller in scope.

Unfortunately for Solo, it’s 20 years later, and it’s being released weeks after an epic Marvel Studios blockbuster that really wowed audiences, and a smaller superhero film that’s one of the funniest movies I’ve ever seen.
There’s a built in audience for these standalone Star Wars films, but if Lucasfilm wants to engage new fans, and keep the entrenched fans on the edge of their seats, then it’s going to require some of the same risk-taking antics that we see the Star Wars characters portray on the screen. I do also love the batman vs superman cosplay .
Whatever, if you are a star wars fan, solo: A star wars story should be your fan that you love. Just enjoying your star wars emotion.

Source: http://www.ggcos.com/what-is-your-review-about-the-solo-a-star-wars-story/

Recap:'Phase Space' westworld season II Episode 6 Review

The ford comes out in the westworld season II Episode 6's end, that is really really a surprise. I have never thought about this would happen and I thought that he had been killed in the westworld season 1.

While Bernard and Elsie (Shannon Woodward) are finding out more about the Cradle, Maeve (Thandie Newton) and the Man in Black (Ed Harris) are dealing with a different cradle in the form of the relationships with their respective children Cosplay Costumes. In the meantime, Dolores (Evan Rachel Wood) is pursuing her own familial connection, like a literal train barreling down a tunnel in an attempt to rescue her father Peter Abernathy (Louis Herthum), with a newly modified Teddy (James Marsden) by her side.

Here's how those stories and more played out over the course of "Phase Space," directed by Tarik Saleh.

A FLIP ON FIDELITY

“Phase Space” opens on a location and conversation we’ve seen before in Westworld. Dolores and — we assume — Arnold Weber (Wright) are conversing about her learning process. “You frighten me, Dolores,” he admits. “You’re growing, learning so quickly. I’m frightened of what you might become, what path you might take.” He touches her shoulder gently as he looks ominously off into the distance, admitting he must make a choice, but “I’m not sure if it’s my choice to make.”

“No, he didn’t say that.” Suddenly, that recognizable gentle lilt in Dolores’ voice turns into the cold, steely timbre that viewers have gotten used to since the beginning of the second season. She corrects him on his last statement, for the real Arnold had not questioned whether he had the agency to make the choice, but whether he should. An all-too-familiar “Freeze all motor functions” all but confirms that this is not Arnold we’re dealing with, but a host version. The tables have now immediately turned, with Dolores adjudicating this test.

“This is a test, one we’ve done countless times,” she admits to him. A confused Bernard, one we have seen quite a few times in season two at this point, asks, “What are you testing for?” Her simple response is, “Fidelity.” The one word resonates, as it was also used by a young William (Jimmi Simpson) as he talked with many permutations of the host version of Jim Delos (Peter Mullan) in “The Riddle of the Sphinx.” Though it’s unknown whether this takes place before the host coup or after the eventful two weeks that followed, it’s clear that idea of fidelity has itself engaged in a phase shift.

As Dolores confounds a version of Bernard with her fidelity test, the Bernard we know is currently walking the train tracks with Elsie. After just coming out of a struggle with Delos, she optimistically muses that, while communication lines are down, Ford’s quarantine notices are still going out. But as they enter a deserted and desiccated HQ, they realize that he may have more posthumous control than just meaningless alerts.

According to Elsie, QA has made multiple attempts to hack into the system and shut down the revolt, only to be blocked every time by the Cradle. Though it’s just meant to serve as a backup for narratives, it has interfaced with every discrete system in the past seven days, responding differently, almost exuding sentience. “It’s like there’s something in here that’s improvising,” she says, astounded.
Bernard’s solution is to tackle the issue head-on, quite literally in his case. They enter the Cradle, a red-tinted room that reminds Elsie of a hive mind, but does not get a similar response from Bernard. Here, he has flashes of the chestnut he took from the place he found Delos, following instructions by Ford to create a consciousness of a human to put into a host. Finally scratching the surface of his larger questions, he decides to put himself inside directly. Strapping himself into a control unit that’s meant to read host data for auto-extraction, he would in effect be an occupant of the cradle, to get a better sense of both the virtual situation and what his larger agenda with Ford is. Despite Elsie’s initial protests, he allows the machine to enter him, amidst grunts of pain, though he would shrug off beforehand that, “The pain’s just a program.” custom made cosplay costumes
Bernard awakes in a place we have seen Teddy many times (in addition to this episode, though in a much different context): the train into Sweetwater. He steps off to the locomotive to see a now hustling and bustling town, evoking memories of a more peaceful time that feels like ages ago. There, he sees the hosts on the loops we know and love: Dolores walking peacefully with a rucksack of groceries, Teddy vacating the Mariposa. But there’s one major thing that sticks out: a greyhound dog traipsing around. It became a spirit animal of Ford in the first season, as he had one as a child and even recreated it in host form in the park. And after six episodes of his own metaphorical chase, Bernard finally reached his rabbit: a content Ford sitting at the Mariposa, trademark smirk across his face.

ENTER Q.A.
While Elsie and Bernard access the deeper recesses of Delos HQ, elsewhere, the staff are grappling with the aftermath of the inciting incidents. As Charlotte Hale (Tessa Thompson) tells Ashley Stubbs (Luke Hemsworth), who recently returned after being captured by Ghost Nation, it’s been almost a week since things went awry, and with Charlotte finally having her cargo in tow after taking Abernathy from Ford Forlorn Hope, it’s time for their rescue. my chemical romance costume
As she unblinkingly taps into a secret tablet to reach out to Delos, informing them of her recent acquisition, Stubbs is beside himself, furious she did not disclose to him any of the data the formerly-retired host contained. But she is too close to her goal to quibble with someone hired “to guard an amusement park,” and moves into the next part of her plan.
That next step involves subduing Abernathy to ensure her capture. She takes him and Stubbs down to one the operating room, as a series of staff members donning black place him in a chair before bolting him down. Stubbs asks if the pneumatic tool is necessary for subduing him, while the tech replies merely, “It’s really effective.” We see that effectiveness firsthand, as a flustered, frightened, and muzzled Abernathy struggles against them before eventually getting overpowered. Though he cannot speak, his pained eyes do the talking for him at that moment.
With the “package” secured, a special delivery arrived in Westworld, in the form of parachuting Q.A. members, led by the roguish Coughlin (Timothy V. Murphy). He substantiates Stubbs’ newly-discovered position, disparaging his first name and telling him, “Amateur hour’s over.” Inside, Coughlin gets told the same thing Elsie discovered about the mysterious block against any hacks into the system. While the narratives are still inaccessible, it seems the park is beginning to be once again, as the bright three-dimensional map of Westworld reforms after losing power in the season premiere. But with it comes one massive, sudden radar blip: a runaway train.
NEW TRAIN AND NEW TRAINING
It’s no surprise that the train comes from Dolores, who had ridden into Sweetwater the previous episode ordering her men to strip it down. But she also stripped down another piece of metal that night in the form of Teddy, when she overwrote his code after defying her orders previously. It’s clear from Teddy’s entrance into the Mariposa the day after his modification that we are dealing with a different man. “The day’s wastin’. Thought you wanted to ride at sunup,” he says with an air of confidence, a swing in his hips as he walks.
Dolores warns Teddy about how much the train may serve as a trigger. After all, it’s a critical point in his narrative to step out of that train before he would serve to get killed in innumerable ways. But that version of Teddy Flood departed the station long ago. “The man who rode that train was built weak and born to fail. You fixed him. Now forget about it.” To nail his new attitude home, he unflinchingly executes a staff member at the train platform, after he is not able to say where exactly in the Mesa Abernathy is held.
As the train chugs along the plains, Dolores’ men load up on weapons, as the lovers muse about the fact that they are finally leaving the place they have spoken for many loops about deserting for greener pastures. “I never wanted to leave,” Teddy says, gazing out the window, “but I guess you fixed that too.”
Part of that “fixing” included a large decrease in Teddy’s benevolence, which becomes prominent as they handle the final steps of their train plan. As Dolores, Angela (Talulah Riley), and the others hop to another car, he approaches Phil (Patrick Cage), the tech who they had been forcing along the journey with them and who had personally made Teddy's modifications and hands him a gun with a single bullet. “That’s the last of my mercy. Better use it fast.” He does not exaggerate with those words, as he leaps to the other car and detaches it, sending the front of the train and an unwilling Phil hurtling into the tunnel that serves as one of the Mesa’s many entrances. It’s clear that Dolores intends to enter with a bang.
As a daughter charges forward to find her father, another just wants to stay in his company. After escaping the clutches of Ghost Nation and seeing her father, Emily (Katja Herbers) has now joined him, along with Lawrence (Clifton Collins Jr.) and his cavalcade of cousins to find “The Door.” The Man in Black initially refuses to acknowledge his daughter’s presence, under the impression this is yet another host speaking the voice of Ford, teasing him about the game.
Though Emily is quick to declare her human qualities, her father is still dismissive, warning her that if she stays with him, she’ll be signing her death certificate. But it seems that his daughter knows more about the ways of Westworld than he initially thought, as she is able to not only detect that the upended wagon they were inspecting was a trap but even pick off the marauder that could have caused considerable trouble for the group.
At the campfire that night, the Man in Black admits he’s surprised about her appearance here, given her previous statement to reject the “family business.” Emily tells him Charlotte invited her, and though she initially refused, she decided to return and visit the Raj, the India-based park that she loved as a child. After several days of riding (in more than one meaning of the word), the same affliction plagued that park, and she dodged gunshots, tiger attacks, and cliff falls to get to the place she wanted to avoid.
Now caught up on her story, she takes the opportunity to go in on her father. She shared his love for this park as a child, considering the idea of a life without consequences. But still becoming obsessed with the idea as an adult is a sad gesture. He then accuses her of “climbing under his wing,” but she insists that she’s here because she’s trying to save him from his pseudo-suicidal behavior. “I spent so many years buying your good guy act,” she tells him. “[My mother] was the only one who saw through that, and she paid for it. But I shouldn’t have said her death was your fault. You don’t get to make that your final score. Instead, you’re gonna come home with me.”
Taken aback initially and considering this a threat, the Man in Black seems to comply, as she tells him leaving the park with her the next morning would be a “good start” to patching up their tumultuous relationship. Perhaps he perceived that as getting a good head start, as Emily wakes up the next morning to find the entire party abandoned her, save for one bean-eating cousin. But it looks like her father isn’t exactly out of the woods yet, as they soon get ambushed by Ghost Nation, their fate yet undetermined.
SAYONARA, SHOGUN WORLD
As the Man in Black tried to repel himself away from his child, in a different, yet oddly similar world, another character is trying to do just the opposite. The morning after decimating an entire samurai army using her “new voice,” Maeve stands silently, observing all the carnage in front of her. Part of the slaughter from the evening involved the death of Sakura (Kiki Sukezane), and through deep breaths, she observes Akane (Rinko Kikuchi), the mother figure to Sakura and Shogun World counterpart to Maeve, carve her heart out. Wrapping it in one of Maeve’s sleeves, she cradles it close to her, almost like a swaddled infant.

With Sakura’s heart in tow, Maeve, Akane, and the rest of the group make their way back to the village, where they get confronted by Captain Tanaka (Masayoshi Haneda). He had captured former occupant of his position Musashi (Hiroyuki Sanada), as well as Hector (Rodrigo Santoro) and Armistice (Ingrid Bolsø Berdal), who had set up a distraction when the group was set upon by ninjas. Tanaka sets up a trade for, as he calls them, “the assassin and her witch”: he lets them all free, but Akane stays.
Before Maeve can create her own deal with her new mentalist capabilities, Musashi interrupts her, instead offering to challenge Tanaka to a fight. Though he initially refuses, Musashi preys on his cocky nature, accusing him of being a coward and puppet to the shogun. Tanaka eventually relents, as the two prepare their weapons.
Akane urges Maeve to use her “magic” to help Musashi. But Maeve remains neutral in the situation, observing, “We each deserve to choose our fate. Even if that fate is death.” As the fight begins, the two seem evenly matched. But in a vital moment of weakness, Musashi is able to grab one of Tanaka’s swords, and his dual wielding literally disarms him. On his knees in pain, he returns his sword to the defeated captain, who commits hari-kari before Musashi beheads him.
All immediate threats eliminated, the group takes off for Snow Lake, which serves as not only Sakura’s birthplace but an entrance to the tunnels back into Delos HQ. A swath of tall bamboo leads them to the picturesque location, and as the staff members of the group Lee Sizemore (Simon Quarterman), Felix Lutz (Leonardo Nam), and Sylvester (Ptolemy Slocum) clear the path to freedom, the hosts put the young dancer in her final resting place.
It turns out that this will be the final resting place for our time in Shogun World as well, as Musashi and Akane say they will not continue with Maeve and the group back into Westworld. Though Maeve thinks they can make a more safe home somewhere else, Musashi replies, “No man is safe who refuses to defend his own land.” Akane brings back Maeve’s previous quote about fate, adding on, “My daughter’s spirit is here, my faith belongs here. And the choice belongs to me. Because of you.” With an understanding look, the hosts bid farewell to their eastern counterparts, as they head into the tunnels.
The group finally surfaces on its original destination: Maeve’s old zone. Dressed back in western gear, but with her katana still in hand, she recalls the rolling hills from her previous narrator that gave her the reason for this entire journey: her daughter. Heading back to the home she once occupied, she finds her daughter sitting on a porch, playing with two dolls representing a mother and daughter. She tells Maeve that one of the dolls does not want the other to get taken away by “the bad man,” and Maeve promises her that she would personally never let that happen again.

It’s a moment that Westworld fans have sought ever since Maeve first remembered her daughter as part of a reverie in season one. But of course, there’s a twist of the knife (or katana, as it were), when another woman, looking similar to Maeve, appears behind her, laundry basket in hand. It seems, like Clementine (Angela Sarafyan) last season, and Abernathy before her, hosts are merely characters in narratives, and can easily be replaced.
Before Maeve can respond to this stunning revelation, riders descend on the house. Much like the previous loops Maeve herself was a part of, the Ghost Nation has come for her. Hector and Armistice fall in to assist, while Lee decides to put in a call on the radio he found in Shogun World, still fearing his own life in this strange new world.
Remembering her promise, Maeve charges off with her daughter into the fields. A member of Ghost Nation eventually catches up to them, telling them in Lakota, “Come with us. We are meant for the same path.” But Maeve has been all about carving her own trail recently, and replies, “Your path is made for Hell” before running off again, her daughter in tow.
In an episode of duos reconciling and separating, their effects from and on the growing conflict between humans and hosts make it clear that Westworld, in a word, is complicated.
It seems that everything is controlled by ford. So let's see what will going on with the following episodes.

Article Source: http://www.ggcos.com/recapphase-space-westworld-season-ii-episode-6-review/

How much time passes between the ending of Thor: Ragnarok and the beginning of Infinity War?

In all MCU movies, every single movie take place as the same time as reality(the same time as when movies were on theater).

With some example, In civil war, Vision said “Since last 8 years Mr. Stark announced himself as IronMan…” So, Civil War is on theater in April 18, 2016. 

Just make 2016 to make easier calculation. Iron Man revealed his identity in Iron Man (2008). 2016–2008= 8. This is the actual amount of time passed between Iron Man 1 and Civil War. So, this became a little obvious that MCU movies are taking place as the same time as reality.

For next example, In Thor Ragnarok (2017), Banner said “I’m gonna hulk for two years”. The Avengers: Age of Ultron release date: 2015. 2017 - 2015 = 2. Again.

All Marvel MCU movies are like happened in real time. There are still more of them but I’ll get to the point here thea queen cosplay.

Between Thor: Ragnarok (Oct 10, 2017) and Avengers: Infinity war (April 23 2018), It takes over 5 months and yet it is turned out to be like “the infinity war” happened right before the Ragnarok. Even one movie, Black Panther is already released between them green arrow and black canary costumes. This may be MCU’s mistake. But on the other hand, we can also think like this: The time amount passed between “Asgard or space” is totally different from the earth.

Article Source: http://www.ggcos.com/how-much-time-passes-between-the-ending-of-thor-ragnarok-and-the-beginning-of-infinity-war/

What would be your theories for Avengers 4 after watching Avengers:Infinity War?

With most Avengers Fan who had been watched the Avengers:Infinity War, What would be your theories for Avengers 4?
Years have passed. The Gauntlet is destroyed. The Stones have disappeared.
Tony and Pepper are married with a child. But by no means is their life happy. Tony works every day preparing for another attack on the Universe. Stark’s latest armour is the Mk 756 or some crazy number like that Cosplay Costumes.

Fury’s distress call brought Captain Marvel to Earth. She and Stark have been tracking down the Infinity Stones. But in the years since the Stones have disappeared, they have only managed to find the Power Stone.
Wasp is dead. Hank Pym helped Tony and Bruce successfully execute their original Ultron dream from Avengers: Age of Ultron with the help of the Power Stone.
The world is a dark place. Everyone has lost somebody. A wife, a child, a father, a pet... Nobody has recovered from the events of the Infinity War. Stark, Banner, and Pym have created a Days of Future Past-esque world with Ultron sentries “protecting” people. Stark has made thousands of armours, and continues to do so. Nobody has seen the Hulk, even though Banner calls on him custom made cosplay costumes.
Nobody has heard of Thor or Rocket since the events of Infinity War.
Hawkeye has lost his entire family. He is now Ronin and on a quest for vengeance. But nobody knows where Thanos is, so he takes out his anger on “low-life scum” and criminals.
Steve Rogers is head of SHIELD since both Nick Fury and Maria Hill are dead. Him and Tony have worked things out between them. But they aren’t exactly on speaking terms. Tony has lost his best friend, Cap has lost his best friend. They believe that if the events of Civil War never happened, they could’ve worked together to defeat Thanos. And of course Tony blames himself for not being able to pick up the phone and calling Cap in Infinity War.
Thor and Rocket return to Earth. They go straight to Wong and tell him that they have located the Red Skull who knows where the Soul Stone is. However, Red Skull would only tell one person where the Stone is… Captain America.
Thor, Cap, Stark, and Danvers go to Vormir where Cap cannot believe what he is seeing. It’s been over 70 years but the Red Skull lives. He confronts Red Skull, who tells Cap where the Soul Stone is without a fight. But… Thanos is in possession of the Stone.
When they return to Earth, Wong calls on the Disassembled Avengers. He tells them that Cap knows where the Stone is. The Disassembled Avengers - Tony Stark, Steve Rogers, Bruce Banner, Thor, Ronin, Black Widow, Nebula, Ant-Man, Hank Pym, and Rocket now go to where Thanos is hiding in order to retrieve the Soul Stone.
Cap leads the assault on Thanos. Years have passed since the events of Civil War, and Tony was still so broken over what happened between him, Cap, and Bucky, that he could not even call Cap for help even though the fate of the Universe was on the line.
But now they fight side-by-side to defeat Thanos. And Tony will die fighting alongside Cap. Redemption. Sacrifice. His death will be the motivation the Avengers need to defeat Thanos. We finally hear the words: “Avengers… assemble”.
1 out of 14 million futures. This was the only way. The Avengers defeat the Mad Titan and retrieve the Soul Stone. Red Skull told them that Gamora is trapped in the Stone and the only chance they have of fixing things is to speak to her. But a sacrifice must be made. A soul for a soul after all, as Skull had told them. Nebula chooses to sacrifice herself to save her sister.
Gamora is freed. Along with another mysterious person. Gamora explains how Thanos feared the power of this mystery man, because he has the ability to travel through time, so he accidentally trapped him in the Soul Stone when he thought he had killed him. The person standing with Gamora is none other than Kang the Conqueror.
Kang explains that he can travel through time without the Time Stone, but he cannot alter time. When he uses his powers, he can only witness what happens and not change the course of history. Banner doesn’t trust him. “But what choice do we have, Bruce?” asks Cap.
They go back in time to find out where the rest of the 4 stones have disappeared to. They relive the disastrous events of the Infinity War. There is only one way to fix this. Out of 14 million possible futures. “This is our only chance”, says Cap.
Thor uses Stormbreaker to transport Cap, Banner, and Danvers to Nidavellir, where a new Gauntlet is assembled with all 6 Infinity Stones my chemical romance costume.
Cap wields the Gauntlet and uses it to bring back everyone who died as a result of the Snap! including Tony. But the power is too great for one mortal person. In order to bring that many people back, Cap had to make the ultimate sacrifice.
Tony Stark retires and settles down with Pepper. Thor rebuilds Asgardia. Captain Marvel leads the new Avengers. Bucky picks up the shield. Spider-Man is an official member of the New Avengers. Bruce is now in full control of the Hulk. And at the New Avengers building, there’s a statue in honour of Steve Rogers and all the fallen heroes. It’s a bitter-sweet moment.
The credits roll. No mid-credits scene. We are waiting. Still waiting. One more paragraph. One more sentence. The last word is on the screen.
And…
It’s a shot from space, the camera is zooming in on a planet. We hear someone speak. “Sue! Johnny! Reed fixed the Multisect. We’re going home!”.
The Fantastic Four are coming home!

Source: http://www.ggcos.com/what-would-be-your-theories-for-avengers-4-after-watching-avengersinfinity-war/

Why hulk do not want come out in Avengers:Infinity War?

I think that the hulk do not comes out because the thanos had beats him.
That is precisely why even the toughest of villains think twice before engaging the green rampage. The MCU'S Hulk, is different from the other versions of Hulk in the sense that he has never been “defeated”. His experience in Sakar has him so overconfident in his abilities that he was willing to attack Surtur. Furthermore, the Hulk can control his transition better than Banner. This was foreshadowed in Ragnarok when Banner fell in front of Fenris Wolf.

However, what the Green Monster felt when he got his ass handed to him in physical combat with the Purple God wasn’t rage. It was an emotion hitherto unknown to the Incredible one - fear. Cosplay Costumes

MCU Hulk has gone fist-to-fist with some of the mightiest being in the universe and has always come out on top. He smashed the God of Mischief around like a rag doll. He has defeated the God of Thunder on many occasions. His one punch was enough to stop a Chitauri worm in its track. He wrestled the fabled Fenris wolf. That crazy bastard even launched himself at a 100 foot tall, flaming demon for fuck’s sake.

But despite all these shenanigans, he was never truly in the danger of getting beat down and killed for good. But this was different. Had Heimdall not summoned the Allfathers’ powers and channelized dark magic to beam him away with his dying breath, Hulk wouldn’t have survived.

And we need to remember that the Hulk is a child. We see much of that in Thor: Ragnarok. He wants friends. He hates Banner because the latter keeps him imprisoned. He is super-competitive.

Combining both the two, we have a “kid” who experienced his first horror movie. I wouldn’t blame him for not coming out till the monster is gone. custom made cosplay costumes

Article Source: http://www.ggcos.com/why-hulk-do-not-want-come-out-in-avengersinfinity-war/

Winter Soldier Bucky Barnes

As a young boy, James Buchanan Barnes lost his father (a soldier during WWII), and was adopted by Camp Lehigh as their mascot, and given the nickname "Bucky". It was here that he learned the identity of Captain America. He underwent rigorous training and was assigned to be Cap's sidekick, accompanying him on many adventures, and the two often worked with the original Invaders. However, on a final mission against Baron Zemo, Bucky and Cap hopped on an experimental drone plane in an attempt to disarm a bomb. The bomb detonated, dropping Cap in the North Atlantic, where he would later be found and thawed out by the Avengers. American forces never found Bucky's body, and he was presumed dead. Unbeknownst to the Americans, he was found and revived by Russian General Vasily Karpov. The savitar cosplay is also very good.

When Bucky awoke, he had no memory of his identity, which gave Karpov an opportunity to reprogram Bucky as a Soviet assassin called the Winter Soldier. He was sent all across the globe, committing political assassinations with huge effects on the Cold War. However, his memory implantation caused mental instability, and he was kept in stasis between missions to prevent rebellion.
Recently, the Winter Soldier killed the Red Skull, and stole his Cosmic Cube for Karpov's successor, former General Aleksander Lukin. In order to mess with Cap's mind, Lukin also commanded the Winter Soldier to kill Jack Monroe and launch a major terrorist attack on the city of Philadelphia, fueling the Cosmic Cube's power in the process. However, when the Winter Soldier kidnapped S.H.I.E.L.D. agent Sharon Carter, she told Captain America upon her rescue that she believed her captor to be Bucky. Later, Nick Fury confirmed to Cap that the Winter Soldier was indeed his former partner.
When Lukin ordered the Winter Soldier to bury the Cosmic Cube in an underground bunker, Cap, with help from the Falcon and Iron Man, tracked him down and defeated him. After the battle, Cap used the Cosmic Cube to restore Bucky's memories, but he then destroyed the Cube and disappeared. All but Captain America believed him to be dead.

It was recently revealed that the Winter Soldier was involved in helping Wolverine escape from Weapon X, and was responsible for the loss of his wife and baby.
When the Superhuman Registration Act was passed, S.H.I.E.L.D's Nick Fury recruited Bucky for covert operations, so as to protect Captain America from government forces. In the aftermath of the seeming death of Steve Rogers, Barnes became the new Captain America. Rogers survived, but upon his return, he gave Barnes his blessings to continue as Captain America on the Avengers while he accepted a federal role as an administrator managing super-heroes. You would also love the Cosplay Costumes.

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